Judgment night soundtrack discogs movie#
Judgment night soundtrack discogs full#

The band signed to Mercury Records and released their fifth studio album, New World Disorder, in 1999, once again with Ed Stasium as a producer. While touring Europe in support of the Mata Leao album, the band recorded their Hamburg, Germany, show for their first live album, No Holds Barred (Live in Europe), which was released in 1997 through their former label, Roadrunner Records. The band also played on the Ozzfest mainstage alongside Ozzy Osbourne, Slayer, Danzig, Fear Factory, and Sepultura. For the 1996-97 Mata Leao Tour, former Helmet guitarist Rob Echeverria joined the band. It was produced with the help of Dave Jerden. The band recorded their fourth studio album, Mata Leao, as a three piece in 1996. This was the last Biohazard album with Bobby Hambel, who left due to differences with the rest of the band. State of the World Address went on to sell over one million copies, and Rolling Stone magazine selected the Biohazard logo as the best logo of the year. During their 1994 tour, the band made an appearance on the second stage at the Monsters of Rock festival held at Castle Donington. The album was produced by Ed Stasium in Los Angeles and contained the single 'How It Is' featuring Sen Dog of Cypress Hill, for which a video was also shot.

who released their third studio LP, State of the World Address. Months later, the band left Roadrunner Records and signed with Warner Bros.

The soundtrack would go on to sell over two million copies in the United States. This led to a collaboration on the title track of the Judgment Night soundtrack. In 1993, the hardcore rap group Onyx brought on Billy Graziadei for an alternate 'Bionyx' version of their hit single 'Slam' with Biohazard as their backup band. The band also began opening for larger acts such as Pantera, Suicidal Tendencies, House of Pain, Fishbone, and The Cro-Mags. The video for the song 'Punishment' became the most played video in the history of MTV's Headbanger's Ball, and the album sold over one million copies. In 1992, Biohazard signed with Roadrunner Records and released Urban Discipline, which gave the band national and worldwide attention in both the heavy metal and hardcore communities. The album's subject matter revolved around Brooklyn, gang-wars, drugs, and violence. The band's self-titled debut album was poorly promoted by the label and sold approximately 40,000 copies. In 1990, Biohazard signed a recording contract with Maze Records. With an impressive career spanning over 20 years with 10 albums (on both indie and major labels), the band sold over 5 million records. BIOHAZARD released their combined the urban sounds of hard-core, metal and rap with scorching lyrics describing the forces at work in our modern urban lives. After the release of their second demo in 1989, drummer Anthony Meo left the band and drummer Danny Schuler replaced him. The band consisted of founding members Billy Graziadei (vocals, guitar), Bobby Hambel (lead guitar) and Evan Seinfeld (vocals, bass). Chasing ensues), the album associated with it has become the singular defining moment in rap-metal history.BIOHAZARD formed in Brooklyn in 1988 and soon after released their first demo.

Judgment night soundtrack discogs movie#

While the movie itself might have fallen into relative obscurity (Emilio Estevez, Cuba Gooding Jr., and a couple of other middle aged suburban dads get stranded on the south side of Chicago and witness a crime committed by Dennis Leary and Everlast’s street gang.

Judgment night soundtrack discogs full#

In between early rap-rock flirtations and nü-metal’s total synthesis of the sound came the first full scale experiment in genre merging, the soundtrack for the 1993 film Judgment Night. Hell, look no further than the lineup for the 1992 Lollapalooza tour (featuring Red Hot Chili Peppers, Ice Cube, Soundgarden, and Cypress Hill) for a snapshot of the time. The funk metal of Fishbone and Faith No More dribbled into the mainstream. Public Enemy and Anthrax had a degree of success with “Bring The Noise.” Rapper Ice-T’s band Body Count courted well publicized public condemnation with “Cop Killer.” Beastie Boys had long since shifted their sound from hardcore to hip-hop.

After all, Run DMC were instrumental in reinvigorating Aerosmith’s career with their “Walk This Way” collaboration. The writing had been on the wall for a few years. It was a time where cynical marketing executives realized that there was a way to simultaneously capitalize on the burgeoning outsider rock and hip-hop movements. It was a time where Danzig and Cypress Hill were both enjoying mainstream commercial airplay on alternative radio.